![]() It could indeed be a very "early" 3rd or 4th pressing, for example, as denoted by the stamper matrix numbers, but it certainly won't be a first pressing. The later re-pressings from 1969 have Black & Silver labels with the EMI boxed logo. So, if you are being presented with a Yellow & Black Parlophone label, and the seller is telling you it's a 1st pressing, you can politely correct them. The 3rd, 4th, 5th (1964), 6th (1965) and 7th (1968) pressings have the Yellow & Black Parlophone label. In general, the 1st and 2nd pressings have the Black & Gold Parlophone label. And of course, the condition is also all important. Before you buy any Beatles record, you must examine the label to ensure it's authenticity. To any Beatles collector, of critical importance is the label. This was common practice for playback on stereo consoles. ![]() A stereo mix was made at the same time as the mono mix, with one track on the left channel and the other on the right, as well as an added layer of reverb to better blend the two tracks together. The album was recorded on a two-track BTR tape recording machine, with most of the instrumentation on one track and the vocals on the other, allowing for a better balance between the two on the final quarter-inch tape mix-down in mono. Martin considered calling the album Off the Beatle Track before Please Please Me was released on Parlophone with record number PCS 3042 for the stereo version and PCS 1202 for the mono. ![]() We've been recording all day but the longer we go on the better they get." Also the song Hold Me Tight was recorded during these sessions, but was "surplus to requirements" and not included on the album and it was recorded again on 12 September 1963 for With The Beatles. This performance, captured on the first take, prompted Martin to say: "I don't know how they do it. The day ended with a cover of Twist and Shout, which had to be recorded last because John Lennon had a particularly bad cold and Martin feared the throat-shredding vocal would ruin Lennon's voice for the day. Martin admitted: "It was a straightforward performance of their stage repertoire - a broadcast, more or less." However, when time constraints intervened, he decided to book them at EMI Studios in Abbey Road instead and record them virtually live. ![]() ![]() George Martin initially contemplated recording the album live at the Cavern in front of the group's home audience and visited the Liverpool club on 9 December 1962 to consider the technicalities. Optimistically, only two sessions were originally booked. In only three sessions on that same day they succeeded in producing an authentic representation of the band's early-time sound, as well as one of the best records ever, as there were very few overdubs and edits. The recording was a rush that lasted 9 hours and 45 minutes. Ten more tracks were needed and therefore, at 10:00 am on Monday, 11 February 1963, The Beatles and George Martin started recording. This record was ment to be their first LP., but the group had so far recorded only four songs and the norm for British 12’’ vinyl pop albums at that time was to have seven tracks on each side. We've been recording all day but the longer we go on the better they get." ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |